TIME: Almanac 1995

home *** CD-ROM | disk | FTP | other *** search

/ TIME: Almanac 1995 / TIME Almanac 1995.iso / time / 073189 / 07318900.000 < prev next >

Wrap

Text File | 1993-04-15 | 12.4 KB | 245 lines

<text id=89TT1949> <link 90TT1183> <link 89TT1692> <title> July 31, 1989: In Praise Of Censure </title> <history> TIME--The Weekly Newsmagazine--1989 July 31, 1989 Doctors And Patients </history> <article> <source>Time Magazine</source> <hdr> ESSAY, Page 71 In Praise of Censure </hdr><body> By Garry Wills Rarely have the denouncers of censorship been so eager to start practicing it. When a sense of moral disorientation overcomes a society, people from the least expected quarters begin to ask, "Is nothing sacred?" Feminists join reactionaries to denounce pornography as demeaning to women. Rock musician Frank Zappa declares that when Tipper Gore, the wife of Senator Albert Gore from Tennessee, asked music companies to label sexually explicit material, she launched an illegal "conspiracy to extort." A Penthouse editorialist says that housewife Terry Rakolta, who asked sponsors to withdraw support from a sitcom called Married . . . With Children, is "yelling fire in a crowded theater," a formula that says her speech is not protected by the First Amendment. But the most interesting movement to limit speech is directed at defamatory utterances against blacks, homosexuals, Jews, women or other stigmatizable groups. It took no Terry Rakolta of the left to bring about the instant firing of Jimmy the Greek and Al Campanis from sports jobs when they made racially denigrating comments. Social pressure worked far more quickly on them than on Married . . . With Children, which is still on the air. The rules being considered on college campuses to punish students for making racist and other defamatory remarks go beyond social and commercial pressure to actual legal muzzling. The right-wing Dartmouth Review and its imitators have understandably infuriated liberals, who are beginning to take action against them and the racist expressions they have encouraged. The American Civil Liberties Union considered this movement important enough to make it the principal topic at its biennial meeting last month in Madison, Wis. Ironically, the regents of the University of Wisconsin had passed their own rules against defamation just before the ACLU members convened on the university's campus. Nadine Strossen, of New York University School of Law, who was defending the ACLU's traditional position on free speech, said of Wisconsin's new rules, "You can tell how bad they are by the fact that the regents had to make an amendment at the last minute exempting classroom discussion! What is surprising is that Donna Shalala (chancellor of the university) went along with it." So did constitutional lawyers on the faculty. If a similar code were drawn up with right-wing imperatives in mind -- one banning unpatriotic, irreligious or sexually explicit expressions on campus -- the people framing Wisconsin-type rules would revert to their libertarian pasts. In this competition to suppress, is regard for freedom of expression just a matter of whose ox is getting gored at the moment? Does the left just get nervous about the Christian cross when Klansmen burn it, while the right will react only when Madonna flirts crucifixes between her thighs? The cries of "un-American" are as genuine and as frequent on either side. Everyone is protecting the country. Zappa accuses Gore of undermining the moral fiber of America with the "sexual neuroses of these vigilant ladies." He argues that she threatens our freedoms with "connubial insider trading" because her husband is a Senator. Apparently her marital status should deprive her of speaking privileges in public -- an argument Westbrook Pegler used to make against Eleanor Roosevelt. Penthouse says Rakolta is taking us down the path toward fascism. It attacks her for living in a rich suburb -- the old "radical chic" argument that rich people cannot support moral causes. There is a basic distinction that cuts through this free-for-all over freedom. It is the distinction, too often neglected, between censorship and censure (the free expression of moral disapproval). What the campuses are trying to do (at least those with state money) is use the force of government to contain freedom of speech. What Donald Wildmon, the free-lance moralist from Tupelo, Miss., does when he gets Pepsi to cancel its Madonna ad is censure the ad by calling for a boycott. Advocating boycotts is a form of speech protected by the First Amendment. As Nat Hentoff, journalistic custodian of the First Amendment, says, "I would hate to see boycotts outlawed. Think what that would do to Cesar Chavez." Or, for that matter, to Ralph Nader. If one disapproves of a social practice, whether it is racist speech or unjust hiring in lettuce fields, one is free to denounce that and to call on others to express their disapproval. Otherwise there would be no form of persuasive speech except passing a law. This would make the law coterminous with morality. Equating morality with legality is in effect what people do when they claim that anything tolerated by law must, in the name of freedom, be approved by citizens in all their dealings with one another. As Zappa says, "Masturbation is not illegal. If it is not illegal to do it, why should it be illegal to sing about it?" He thinks this proves that Gore, who is not trying to make raunch in rock illegal, cannot even ask distributors to label it. Anything goes, as long as it's legal. The odd consequence of this argument would be a drastic narrowing of the freedom of speech. One could not call into question anything that was not against the law -- including, for instance, racist speech. A false ideal of tolerance has not only outlawed censorship but discouraged censoriousness (another word for censure). Most civilizations have expressed their moral values by mobilization of social opprobrium. That, rather than specific legislation, is what changed the treatment of minorities in films and TV over recent years. One can now draw opprobrious attention by gay bashing, as the Beastie Boys rock group found when their distributor told them to cut out remarks about "fags" for business reasons. Or by anti-Semitism, as the just disbanded rap group Public Enemy has discovered. It is said that only the narrow-minded are intolerant or opprobrious. Most of those who limited the distribution of Martin Scorsese's movie The Last Temptation of Christ had not even seen the movie. So do we guarantee freedom of speech only for the broad-minded or the better educated? Can one speak only after studying whatever one has reason, from one's beliefs, to denounce? Then most of us would be doing a great deal less speaking than we do. If one has never seen any snuff movies, is that a bar to criticizing them? Others argue that asking people not to buy lettuce is different from asking them not to buy a rocker's artistic expression. Ideas (carefully disguised) lurk somewhere in the lyrics. All the more reason to keep criticism of them free. If ideas are too important to suppress, they are also too important to ignore. The whole point of free speech is not to make ideas exempt from criticism but to expose them to it. One of the great mistakes of liberals in recent decades has been the ceding of moral concern to right-wingers. Just because one opposes censorship, one need not be seen as agreeing with pornographers. Why should liberals, of all people, oppose Gore when she asks that labels be put on products meant for the young, to inform those entrusted by law with the care of the young? Liberals were the first to promote "healthy" television shows like Sesame Street and The Electric Company. In the 1950s and 1960s they were the leading critics of television, of its mindless violence, of the way it ravaged the attention span needed for reading. Who was keeping kids away from TV sets then? How did promoters of Big Bird let themselves be cast as champions of the Beastie Boys -- not just of their right to perform but of their performance itself? Why should it be left to Gore to express moral disapproval of a group calling itself Dead Kennedys (sample lyric: "I kill children, I love to see them die")? For that matter, who has been more insistent that parents should "interfere" in what their children are doing, Tipper Gore or Jesse Jackson? All through the 1970s, Jackson was traveling the high schools, telling parents to turn off TVs, make the kids finish their homework, check with teachers on their performance, get to know what the children are doing. This kind of "interference" used to be called education. Belief in the First Amendment does not pre-empt other beliefs, making one a eunuch to the interplay of opinions. It is a distortion to turn "You can express any views" into the proposition "I don't care what views you express." If liberals keep equating equality with approval, they will be repeatedly forced into weak positions. A case in point is the Corcoran Gallery's sudden cancellation of an exhibit of Robert Mapplethorpe's photographs. The whole matter was needlessly confused when the director, Christina Owr-Chall, claimed she was canceling the show to protect it from censorship. She meant that there might be pressure to remove certain pictures -- the sadomasochistic ones or those verging on kiddie porn -- if the show had gone on. But she had in mind, as well, the hope of future grants from the National Endowment for the Arts, which is under criticism for the Mapplethorpe show and for another show that contained Andres Serrano's Piss Christ, the photograph of a crucifix in what the title says is urine. Owr-Chall is said to be yielding to censorship, when she is clearly yielding to political and financial pressure, as Pepsi yielded to commercial pressure over the Madonna ad. What is at issue here is not government suppression but government subsidy. Mapplethorpe's work is not banned, but showing it might have endangered federal grants to needy artists. The idea that what the government does not support it represses is nonsensical, as one can see by reversing the statement to read: "No one is allowed to create anything without the government's subvention." What pussycats our supposedly radical artists are. They not only want the government's permission to create their artifacts, they want federal authorities to supply the materials as well. Otherwise they feel "gagged." If they are not given government approval (and money), they want to remain an avant-garde while being bankrolled by the Old Guard. What is easily forgotten in this argument is the right of citizen taxpayers. They send representatives to Washington who are answerable for the expenditure of funds exacted from them. In general these voters want to favor their own values if government is going to get into the culture-subsidizing area at all (a proposition many find objectionable in itself). Politicians, insofar as they support the arts, will tend to favor conventional art (certainly not masochistic art). Anybody who doubts that has no understanding of a politician's legitimate concern for his or her constituents' approval. Besides, it is quaint for those familiar with the politics of the art world to discover, with a shock, that there is politics in politics. Luckily, cancellation of the Mapplethorpe show forced some artists back to the flair and cheekiness of unsubsidized art. Other results of pressure do not turn out as well. Unfortunately, people in certain regions were deprived of the chance to see The Last Temptation of Christ in the theater. Some, no doubt, considered it a loss that they could not buy lettuce or grapes during a Chavez boycott. Perhaps there was even a buyer perverse enough to miss driving the unsafe cars Nader helped pressure off the market. On the other hand, we do not get sports analysis made by racists. These mobilizations of social opprobrium are not examples of repression but of freedom of expression by committed people who censured without censoring, who expressed the kinds of belief the First Amendment guarantees. I do not, as a result, get whatever I approve of subsidized, either by Pepsi or the government. But neither does the law come in to silence Tipper Gore or Frank Zappa or even that filthy rag, the Dartmouth Review. </body></article> </text>